| Year: | 2005 |
| Genre: | Crime, Thriller |
| Director: | Frank Miller |
| Stars: | Mickey Rourke, Clive Owen, Bruce Willis |
| Language: English Runtime: 124 min Audio: 2.1 Stereo Subtitles: English Resolution: 720x480 Frame Rate: 25 fps Video Bitrate: 5228 Kb/sec Audio Bitrate: 256 kbps |
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Review: Philly catch a sneak preview of Sin City yesterday, and I must say my hat is off. Some comic book movies have ever looked good on the screen. X-Men and Spider Man movies have done a good job of breaking the stigma. In my opinion the above movements were a perfect blend of Hollywood and comic book universe, but Sin City raise it to an art form, is about question. This is hands down the best performance of the comic book turned movie ever. After catching trailer advertising on television, I was intrigued to say the least. So I went to my local comic book store and buy books Frank Miller film is based, and use them to offset their mood swing, more violent and stories of love, passion, friendship, honor and gain redemption in botëne seedily underground fictional Basin City. Further contact with the comic book store owner, he clued me in on a sneak preview on December 16 (yesterday as I post this), so , as a child on the way to pick up the latest issues of any comic books are popular these days, I took the day off and went to ; screen. Having read the recent times of stories that are featured in the movie (Sin City, later renamed to The Hard Goodbye, Big Fat Kill and Yellow Bastard), I was amazed at how much dialogue and narration of the book make it to the big-screen translation. This comes from a person whose heart has been ripped from the bastardization of the amount of all horrors, keep in mind - I know what you like to , have a book that I do not like to draw attention to love that we think it deserves when it hits the big screen. Dialogue is not always the best (my comic, not Shakespeare, folks) and even the best laws in the world will not change. But seriously, if you're paying attention to that little flaw, you're missing the point of the movie to start. In addition to dialogue, the images in the film is something to be appreciated, whether you like it or not stories. Equally beautiful and challenging black and white with occasional color brushes that all but explodes on the screen comics (graphic novels for you purists) acts as storyboards for the film, as life is breathed into the still images on the page. Book display section that is obviously going to be a feature of a future DVD release of the film will no doubt drop a few jaws to those who most , rzit to control the port of raw materials. Cold, cruel humor and over-the-top public-shudder-inducing mix style violence in Pulp Fiction and From Dusk Till Dawn, for obvious reasons, but as I said, everything h t is the right of the books. Kudos to Robert Rodriguez, in order not to compromise the creation of the film and for his commitment to the quality of the signal output, and co -director Frank Miller for his significant contribution. And participants, riding them. My favorite performance was turned in by Mickey Rourke to play absolutely perfect Marv letter of the book (and this demonstrates one of the best voices I listening to a narrative film, as Morgan Freeman in The Shawshank Redemption). Elijah Wood has a non-speaking role, but Kevin will follow you home like Nick Junior Stahls does. Clive Owen as Dwight is difficult (and I know that many fan-boys were upset that he was chosen as a symbol) and Bruce Willis doing what he does best as a cop, I will not give up, Hartigan. Outstanding actress is toss up between this and Rosario Dawson for her Valkyrie, warrior Gail Hooker, or (it kills me to say it) Brittany Murphy as his girl Friday waitress cocktail. The film is not for everyone, and kids should not be allowed in the near ndërtesëne theaters showing this movie, but she saw doubt be hotly discussed film as we crawl through Hollywood in pre-commonly called Summer in February / March / April proposals. |
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